My review of the 12 issue BULLET GAL comic series by Andrez Bergen. Plus, I talk about an important Kickstarter related to the series. Awesomesauce!

Interior art from issue #2 by Andrez.

Although there has been individual issue by issue coverage of Bullet Gal by Andrez Bergen on my blog before, I recently finished reading the entire series, and decided to review it as a whole. My review is spoiler free, as I am dealing with the basics contained in the story, and not going into specific detail. I would like new readers to approach this with their minds wide open, and for them to be able to have the same amazing experience I had reading the series, constantly wondering what new trick Andrez would pull out of his sleeve in the next issue. Every time Andrez sent me a new story in the series, my anticipation was on the same level as a child on Christmas day, and like that child, I immediately tore into my new present. And I was amazed by what was inside... I hope you have the same experience.


 Reading anything by Andrez Bergen is always a distinct pleasure. Case in point- his Bullet Gal comic book series. 12 issues of genre blending goodness, this series is a more than worthy edition to his ever growing fictional universe. For the new reader, here's a mild spoiler... Read through the author's work diligently, as they are seriously interlinked, and you never know who might pop into the current story. That said, any of his works can be enjoyed on their own, but reading them as a whole adds to the overall experience. The Bullet Gal series is a bridge between two of his stories, filling in the events between two fixed points. Sounds simple, yes? The truth of the matter is that it is far from simple, and this isn't in any way filler material. Andrez surprises the reader at every turn, and manages to connect his works seamlessly...

Interior art from issue #3 by Andrez.

The protagonist of the series is a young woman named Mitzi (here's a review of her origin story), who has just blown into the city of Heropa (Here's a review of the Heropa novel. It was my first review for my blog, and I have to thank Andrez for helping me get off my butt with this awesome read.). She has plenty of reasons to hate the criminal element residing in Heropa, and the gal, plus her twin pistols, immediately go to work. As she racks up quite a body count, Mitzi is approached by someone who has a quite different vision for Heropa, a plan that, if it succeeds, will turn Heropa into a virtual utopia...


The author's narrative generously blends sci-fi dystopia, noir, hard-boiled elements, and Golden Age superheroes into a unique blend of storytelling wizardry. Mitzi's initial baby-steps in the new world of Heropa followed in the tradition of pulp heroes, such as The Shadow or The Spider, but she is soon set upon a different path. Although she is initially suspicious of this new element (a man named Lee, who is offering to train her under the auspices of a third party), she reluctantly begins to work with the man. While she still has reservations about the whole situation, she begins to enjoy working with Lee, and comes to think of him as a friend and mentor. The relationship between the two is a genuine focal point in the story, and Andrez nails the characterization of both Mitzi and (her) Lee. Everything isn't sweetness and light, and the two butt heads frequently, but they bring out the best aspects of one another. Together, they are much more than the sum of their parts...

Interior art from issue #4 by Andrez.

While the series is focused on Mitzi's transformative journey, the other characters (major or minor) are not simply roughed in. They all (even down to what could have been filler characters), have their own distinct personality. Two of the issues are dedicated to other character's exploits, and/or backstory, and they fit seamlessly into the narrative. Andrez isn't worldbuilding, at this point, the world has already been built. Instead, he's filling in the gaps between point A and point C. Fleshing out characters, chronicling unknown events, expanding his mythos. Despite knowing where the series ended up, he constantly surprised me with the character's reactions to events, and with the events themselves. The story is akin to a rollercoaster ride, constantly bringing the reader to new highs and lows, emotionally.


Let's talk about the art... If you've ever seen a classic noir film (I'd recommend The Third Man, The Maltese Falcon, and Touch of Evil, among many others), then you have experienced the type of art employed by Andrez in Bullet Gal. Black and white (heavy on the black), yet surprisingly beautiful, and at times serene... Andrez takes both found images, and original art, and then painstakingly manipulates them to match the various scenes contained within this release. As the series moves along, Andrez plays with panel composition and the overall flow between scenes, creating a rather mesmerizing effect on the reader. The feel is very experimental, while also being similar to watching a classic movie, frame by frame. His art style and overall composition reminds me of the cinematography employed in the groundbreaking film, Point Blank, directed by John Boorman. The further you get into the series, the more Andrez pushes the envelope, and the results are amazing. Gaining artistic confidence as he goes, he manages to produce something entirely unique, and gives us a story that is better in quality and execution than a majority of what is being put out in the mainstream market today. Hopefully, we get a collected edition of this series, which brings me to my next point of information...

Cover art for the Bullet Gal collection by Niagara Detroit.

Bullet Gal is published monthly through IF? Commix, a Australian comics publisher. Quite recently, a Canadian publishing group, Under Belly Comics, has picked up the entire series and moved forward with releasing it in a new format... As a complete collected volume, compiling all 12 issues of Bullet Gal, and releasing the physical copies throughout Canada and the States! As a huge supporter of the series, I was dead chuffed to hear the news. Under Belly has recently launched a Kickstarter for the project, which can be found here. I feel that this is a project that needs to reach fruition, and I hope that you guys will stop by, and help this release become a reality. You'll be supporting one of the best comic series out there, and a creator that is moving in areas that are outside the box, as far as the current landscape of comics and genre fiction goes. Get in on the ground floor!


Lastly, I'd like to say thanks to Andrez Bergen for simply being an all around rock star, and blowing my mind with every new story. You're aces with me, laddie! Get some sleep, matey, I don't know how you do it... And to my like-minded compadre Galo Gutierrez from Comic Book Geeks and Project-Nerd (who had a BIG hand in this latest development), you rock, mate! As usual, happy reading, and I'm signing off... Zero Signal.........................

Here's where you can get digital copies of Bullet Gal, and inquire about acquiring physical editions.

Here's the author's blog. I'm sure Andrez would love to see you pop by, look around, and say hello.

Finally, here's another link to the Kickstarter. Drop in and support indie comics!

My review of Monstrocity by Jeffrey Thomas. Another exceptional read! Take a look!

cover art for the German edition of Monstrocity

It was with great anticipation that I recently bought myself a return ticket to the city known as Punktown. Said ticket being Monstrocity by Jeffrey Thomas, his first full length novel set in the Punktown series. Originally published in 2003 by Prime Books, I chose this entry because I wanted to read some of the older stories set in this universe, and because I was intrigued by the fact that it was a full length novel. My previous experience with this ongoing series was the recent collection of interlinked stories, Ghosts of Punktown. After reading Ghosts (here's a link to my review, if you haven't checked it out), I was hooked on both the setting, and Jeffrey's writing in general. I knew it wouldn't be long before I returned to the planet Oasis, and the urban sprawl of the mega-city known by outsiders and the gentry as Paxton, and as Punktown by it's true inhabitants... the ordinary people, trying to make a living amongst the lost, the forgotten, the predators, and the insane. Buried in this chaos, you will find tales of love, of redemption, and of disparate beings coming together to forge a unity against the darkness that is lurking just around the corner, waiting in the angles of space and time. A union that will shine a faint light out into the universe, and grow into a beacon of hope, a rallying point for any rational being. Monstrocity tells one such tale, and it tells it very well...



Christopher Ruby is a shy, unassuming type of guy. When, by pure chance, he meets the beautiful Gabrielle, he believes that his life is finally looking up. Gabrielle, however, has some rather strange interests that soon lead to the first in a series of tragic events. A recording of a set of occult incantations has fallen into her possession, which will purportedly call up a demon, if certain conditions are met. While he is, at first, totally against the idea, Christopher eventually gives in hoping to please his girlfriend. The ritual doesn't seem to work, and he has a good laugh and then heads to bed. Awakened by a strange feeling during the night, he finds that Gabrielle has performed the ritual again, and that there is something distressingly... odd about her. Soon after, she disappears, and Christopher frantically attempts to locate her. Along the way, he begins researching the origin of the incantation that started the whole series of events. He eventually discovers that the author was a certain human from Old Earth, apparently of Arab descent. A man by the name of Abdul Alhazred... He soon begins seeing strange apparitions out of the corner of his eye, and has the feeling that he is constantly being watched. His life is gradually taken over by an intense feeling of paranoia, and he begins a swift descent into madness.


The story of Christopher Ruby is stifling, intense, and claustrophobic, and quite intricately detailed. A tale of an ordinary man, thrown into an extraordinary situation, through no fault of his own. A man who just wants things to be as they were, but eventually realizes, that there is no going back. At the beginning of the story, there isn't much to set Christopher apart, to draw you into the character. As the story unfolds, however, he begins to grow and show unexpected depths of both character, and willpower. From his initial quest to rescue his love and return everything to normalcy, his motives turn more towards reaping a horrible vengeance on those responsible for destroying his life. His desire for revenge slowly fades as he begins to grasp the scope of the forces that he is up against, both those from outside our dimension, and the beings that serve them, here in our realm. He begins to realize that, even though he is not the best choice to be a savior, he has been chosen, simply because he KNOWS. In KNOWING, he automatically becomes responsible for DOING. Once he comes to grips with this idea, he starts along a highly selfless path. With no help in sight, the question becomes, quite simply put, will he survive long enough to make an actual difference. The author takes his time in really building up the personality of his protagonist, and rendering him as a perfect example of fallible humanity. The qualities of perseverance, selflessness, and the ability to think beyond the concept of 'I', and serve a greater good are rather remarkably illustrated within the story.


Along with the quality of his characterization, Jeffrey also excels when it comes down to the portraying the details contained within the story(as I mentioned in my opening statement of the previous paragraph). Whether it is something that is normally quite simplistic, such as describing the characters surroundings (there were a number of these descriptions that I found to be quite profound, and a work of art, in and of itself); or in the attention given to various species history, culture, appearance, and unique behaviors, he goes above and beyond the norm. Quite masterful, I must say. The photo-realistic depiction of every aspect of Punktown could lead one to believe that, possibly, this is a real place and that the author is a frequent traveler to the planet of Oasis. Truthfully, the level of characterization, and of description, could easily be a travelogue, if one were to remove the more fantastic aspects of the story. There is no need for a suspension of disbelief, just start reading and you'll find yourself definitely transported to another world. This quality to totally submerse a reader in a story is very rare, and Jeffrey Thomas possesses said ability in spades. It's one of the reasons that Punktown is quickly becoming one of my favorite fictional destinations to visit. Heck, I'd buy a ticket and make my home there, if Jeffrey would let me...



To sum up my ramblings, this is an outstanding, well thought out and executed, absolutely engaging story. There are many highly adult themes and situations contained within it's pages, but we're all adults here. It's so rare to come across a concept that is so effectively realized, so fluid in it's execution, that you you have to step back to truly appreciate the total depth of what you've been reading. Monstrocity is one of these releases, and I highly recommend that you take a look at this entry, and at the series as a whole. For that matter, just go out and pick up a story by Jeffrey Thomas. You'll be amazed by the sights that he will show you... 


Here's the product page on Amazon. Here's Jeffrey's author page on Amazon. Finally, here's Jeffrey's site. Why don't you take some time to stop by and look around? A great number of excellent stories are contained there, just waiting for you to discover them. With that, I'll sign off. As usual, happy reading!

My review of the TOBACCO-STAINED MOUNTAIN GOAT graphic novel, by Andrez and Cocoa Bergen. Wonderful read...

I recently received my copy of the Tobacco-Stained Mountain Goat graphic novel by Andrez Bergen (words) and Andrez and Cocoa Bergen (images) in the post, which sent me into spasms of pure joy. After reading through, I have to report that Andrez still has it ('it' being sheer talent, natch), and he has it in spades. Funded through Kickstarter, and published by the cool cats over at IF? Commix, this is a graphic adaptation of the first 90 or so pages from Andrez's novel of the same name, although it does have some extra included for all you new readers.That's right, all of you who loved the novel; Andrez has a bit of a surprise included in the new release. So don't go in thinking this is a only a blow by blow adaptation (which would be extremely awesome, in of itself), just sit back, relax, and enjoy yourself. You might be surprised by what is shown to you. Regardless, the story is still the one you know and love... and if you haven't read the novel, here's your chance to jump on board. I was absolutely blown away by this graphic adaptation, and you will be as well. I'm formally calling for a sequel, right here on this page. I NEED to KNOW what happens NEXT... I'm sure that after you read this release, you'll feel the same.

TSMG is set within the last city on Earth (in this case, Melbourne, Australia), after the rest of the world has been wiped out by a global catastrophe. The hoi polloi have been saved by Hylax Industries, and especially, by it's founder Wolram Deaps. Of course, the word 'saved' can be a bit open to interpretation, sometimes. Saved, but wrapped in propaganda and the chains of control; saved, but ruled over by the whim of a fascist dictator. Saved, but forced into a rigid class system, in which people have almost no chance of bettering themselves (unless the warden finds you of use). Finally, saved, but any free-thinker, any dissident with a word to say against the status quo, is hunted down and murdered, or forcibly sequestered in hospitals, and doomed to pass from view. This is what 'saved' means, in this future world. Saved means being used, and wrapped in more and more levels of control, just in case you're needed. Until you're not (which is an event that is always held over your head), and then you're discarded like any other disposable product, tossed down the garbage chute. Quite a cheerful (and, in some ways, familiar) situation, yes?

Floyd Maquina strides (okay, frequently stumbles) through this world, and he's not a man that is built along the heroic archetype; he's an everyday type of guy, that has had a great amount of tragedy pass through his life.  First case in point, he wasn't able to save his wife, Veronica, from being sent to the camps (Coff! Coff! Sorry... I mean the 'hospitals'...) after she became sick. The two of them tried to hide things as best they could, but they were eventually betrayed (when you find out about the  person behind this betrayal, you get to experience the meaning of REVELATION, and PLOT TWIST), and she was carted off to the camps (sorry, once again, I mean hospitals). Floyd isn't a bad guy, he's just been ground down by the wheel of fate, driven to the point that liquor and other illicit substances are all that keep him going. After his wife is hospitalized, Floyd is approached by government agents about the level of 'care' that she will receive. Since all options are extremely expensive, he is forced to join the ultra-secret, government run Seeker Branch to pay for her medical bills.

You see, Floyd was a P.I. in his former life which has made him a useful commodity, as far as Seeker Branch is concerned. The agency is tasked with hunting down the Deviant 'menace', and bringing them back to interment, or out and out terminating them. Floyd's one of the few who refuses to use the latter option (except, possibly, once), but he's definitely in the minority. The Branch uses VR tests to keep their agents in line, and if you fail, for whatever reason... you'll be the next one labeled Deviant, and carted off to the 'hospitals'. His wife's condition is always held over his head, so he isn't quitting Seeker Branch anytime soon, unless he ends up dead...which is a good possibility in his line of work, and might actually be a bit of a relief to Floyd A human being can only take so much... Until then, at least he has met a fellow soul to share his rather complicated, crooked path, his trials and travails... Laurel Canyon, also employed by Seeker Branch, who is also carrying around quite a bit of tragic history herself. Another human being that has been ground down by the vagaries of existence that this life has inflicted on them. For the nonce, they manage to find some solace in each other's company. In a world such as this, can even this small gift remain untouched?

Andrez is constantly honing both his writing, and his striking style of art. I loved the original Tobacco-Stained Mountain Goat, but seeing it in graphic form is a revelation. I have longed to see this story adapted as a graphic novel, and had quite a mental list of artists that I thought would do the story justice. As it turns out, the perfect artist for the job happens to be Andrez himself. The art is a direct slap to the head, which manages to wake you up, and gets you paying attention to the events taking place. Moody, sometimes muted and dark, they require your full attention to decipher the full meaning of the story being told. Striking and always beautiful,  yet sometimes heartbreaking (when you see, vicariously, where everything turned to shite), the art plunges ahead, carrying the reader along. It flows seamlessly from moment to moment, tragedy to tragedy. In other words, a day in Floyd Maquina's life, and the window into the existence of the vast majority of the masses in this future city. Cocoa Bergen's artistic contributions are particularly poignant, and add that bit of nuance that allows the story to really wound you. If you haven't realized it yet, the artwork is highly recommended.

Let's get down to the story. The novel is an absolute favorite of mine. The graphic adaptation takes the original prose story to another level, a level where the characters actually jump off the page, and begin to stomp all over your psyche. Andrez has spent a good amount of time immersed in classic noir, detective, and dystopian science fiction releases (as I have, for that matter), and this is his love note to the genres. I want to be perfectly clear, this is not a 'laugh out loud, outrageous fun' type of release. It's more of a 'you have to read this, it's doing something that's not out there' type of story. It has a great amount of tragedy contained within, and things can become a bit bleak. The characters keep at it though, because such is their life. They all have hidden depths, that take their time coming to light. Novel and graphic novel, they are both highly recommended reading. Andrez's writing is unique, both in it's approach and it's execution, and I find myself enthralled with his work. Read some of his stories, and you'll find yourself feeling the same way...

Here's the author's blog. I'm sure Andrez would appreciate you dropping by, and saying hello! Here's his Amazon page. Finally, here's the publisher's page, where you can get your hands on all kinds of good stories. Before going, I'd like to share this with you... Even though the characters of this novel/graphic novel exist in a shell of a burnt-out world, don't despair... You can always find a doorway into a new existence (in this fictional world, at least), if you look hard enough. Look hard, don't miss it, the portal might be just around the corner... With that cryptic note, I'll bid you adieu! Until next time, happy reading!!!

My review of BULLET GAL #4 by Andrez Bergen. Another great read!

Interior art of Mitzi with "her" Lee by Andrez.

I received Bullet Gal #4 by Andrez Bergen in my inbox the other day, and let me tell you, I was totally blown away by the story. Andrez never ceases to amaze both with his excellent storytelling, and with his beautiful artwork. I really enjoy the direction this series is going, and I love the surprises that Andrez has been pulling out of his bag of magic tricks. There's quite a number contained in this issue, and probably many more in store for us before the ride is through. I, for one, wouldn't have it any other way. This release will be available through IF? COMMIX in October 2014, so be sure to jot that down on your calender, and pick up a copy when it comes out (and yes, I know it's a bit early to be haranguing you about buying the book, but I thought I'd just slip it in here, when you had your guard down). Well, let's find out what kind of trouble Mitzi's been getting into, since last we left her... * Since this work has yet to be released, I've been forced to include some spoilers in my review. Sorry about that, since I try to avoid them at all cost. *

Ah, yes. Back at the bar, which is where I'd like to be. Interior art by Andrez.

When last we left our gal, Mitzi was having a bit of a tete a tete with "her" Lee. This was interrupted rather rudely, as a lurking gunman sprang from hiding and attacked the pair. At the same time, a sniper by the name of The Big Game Hunter also entered the fray, letting off a shot from a nearby rooftop. Things looked exceedingly dire... And with issue #4, we see the tragic aftermath of these events. The Big Game Hunter is actually an ally of Lee, (providing lone overwatch on the meeting), and his shot was meant for the hidden assassin. Although the Hunter never misses his quarry, his shot came seconds too late. Lee is mortally wounded by the gunsel, and dies in Mitzi's arms... Mitzi finally realizes that she had feelings for Lee, at the exact moment he is snatched away from her. Shattered by the event, she tries to make sense of it all. At the funeral, she is approached by one of Lee's dopplegangers (Lee is a supe, and his power is to split into various unique versions of himself, all who represent facets of the original Lee's personality), who wants to continue her training (can we all collectively say, "TOO SOON!"). Tactfully (in my opinion), Mitzi doesn't knock him arse over tea kettle, and she allows this "other" Lee to take her to a local bar. Although he tries to explain the plan, Mitzi's emotional state (helped along by a liberal sampling of the bar's libations) leads her to throw his explanations back into his teeth... Until he presents her with an offer she can't refuse (or can she?)... And let us not forget the actual villains of the piece. What kind of dastardly (Yes, I used dastardly in a sentence. I'm weird like that.) plan have they been plotting up? Carnage and mayhem, most likely. But you'd have to ask them, I'm just a humble reader...



What can I say about the latest issue of Bullet Gal? If anyone's been reading my prior posts on the series, you already know that I'm a huge fan. The story just keeps getting more intriguing as it goes along. Mitzi's been through some really tough times before, and things seem to be getting worse. She still manages to make it through, and doesn't let events cripple her emotionally, something I deeply admire about the character. Life keeps throwing obstacles at her, and she keeps overcoming them, and is a stronger person because of her experiences. I have to admit, Mitzi is the type of character I always root for, and Andrez renders her trials and triumphs beautifully (Both in the comic, and elsewhere. Start reading the man's novels, and you'll have a whole new outlook on the comic. Just saying...). The plot, to this point (and beyond), has enough mystery to attract an entire neighborhood of curious cats (here's hoping they have their entire set of nine lives, else they might be done in), and Andrez keeps adding more fuel to the fire. His writing is mighty, and the art is at the same level, perfectly complimenting the story, and illuminating the events in Mitzi's world. In these days of cookie cutter releases, that are shoehorned into an easily recognizable genre (for marketing purposes), Bullet Gal, and Andrez's work in general, fly in the face of the norm. At first glance, you can lump this into the noir/thriller genre. Once you get to the meat of things, and truly delve into the story, it's not so easily defined. This is a highly intricate story, told by a creator who cares about his creation, and takes the time and effort to draw you into Mitzi's world. A gem like this is an example of why I find myself, more and more, relying on independent publishers for my comic book fix. While there are any number of duds out there (which is true for all of comics), Bullet Gal isn't one of them. There are any number of great stories that exist outside of the major publishers, and you can find them, as long as you take the time to look around. Mitzi's journey is definitely on this list, and I'm extremely happy that I'm along for the ride...


Here's the link for the IF? COMMIX site. Here's Andrez's blog. Finally, here's Andrez's Amazon page. Take a look around, say hello, and check out his non-comic book work. The man is mighty... Go out and read something different today, or tomorrow, or at least SOON. Expand your horizons, and take a look at new things. With that, I'll sign off, and wish all of you happy reading!

The beautiful Brigit, at her psychotic best. Mitzi's in for a bit of a rough go... Interior art by Andrez.

Here's my review of BULLET GAL Issue #3 by Andrez Bergen. This new comic series just keeps getting better and better.

striking interior art by Andrez Bergen

I was happily surprised (once again) to find Bullet Gal Issue #3 by Andrez Bergen in my inbox the other day. This won't be out until October, but, heck, Andrez might have the entire series finished by then. I am, of course, joking, but I'm not too far from the truth. I'm not sure when Andrez finds the time to sleep, but my friend seems to be an absolute machine. Anyways, enough rambling, I'm going to jump straight into my review. In this issue our heroine Mitzi (the woman who will soon be known as Bullet Gal), has turned the tables on her mysterious benefactor, Lee. Put off by his endless games, she's decided to do a bit of snooping of her own. After following Lee, and spying on a clandestine meeting, she makes a shocking discovery... one which she is not sure how to handle. Meanwhile, the criminal element of Heropa aren't wasting any time tracking Mitzi down. While Mitzi is engaging in her bit of cloak and dagger, there is already a 3 man (more accurately, 1 very deadly woman, and two thugs) team that has eyes on her. Plus, a couple of very nasty looking guns. Things look like they're coming to a head, and the only question is, who's more dangerous? Mitzi's apparent friend, Lee, or the hit-team that are dogging her steps?

a couple of hitmen with a nasty looking gun interior art by Andrez

What can I say about this release? The writing is spot-on, as usual. Andrez is building the story to greater heights with each issue. He's steadily adding new elements as he goes, and I'm holding my breath, wondering when the balloon will pop. This issue is basically a bridge entry, very much about drawing the plot threads together, from previous issues. I'm waiting for the climax, and I have to admit that Andrez has me on the edge of my seat, wondering what the endgame (for this series) is. As a bit of a side note, I haven't mentioned in my other reviews of this series (simply because I hate spoiling the joy of discovery for a new reader), but most of his works tie together, in one way or another. Many of these characters are already familiar to me, and I love that more and more of the details are getting filled in. Will this get in the way of a new reader enjoying this comic series? In my opinion, HECK NO! I began reading Andrez's works with his (at the time) newest novel, and then worked backwards. This series is easily enjoyable in its own right, but you should pick up his other works, in my opinion. You'll get a much wider perspective on things. As far as the art goes, are you seeing these images? He just keeps getting better and better. The noir images Andrez creates are totally suited to the story that is being told. They are beautiful, stark, and striking in equal measures. The process of creating in this medium is rather painstaking, as well, so it is appreciated by myself all the more. To sum up, if you want to read a unique comic series, something outside of the type of thing you get from the DC's and Marvel's of the world... something well written, with beautiful art, and from the very soul of the creator... this is the release for you! Arigato, Andrez.

the streets of Heropa interior art by Andrez Bergen

Here's Andrez Bergen's blog. Here's the Bullet Gal FB page. Here's the IF? Commix page. Lastly, here's Andrez's Amazon author page. I really hope you take a look around, you won't be disappointed. This author is a very unique voice, and I hope you'll take the time to look at his works. I'll sign off, now... And as usual, happy reading, all!

Here's my review of BULLET GAL #2 by Andrez Bergen and IF? Commix.

Mitzi about to reach out and touch someone. Interior art by Andrez Bergen.

It was with great surprise that I opened up my inbox and found BULLET GAL #2 waiting for me. I had no idea Andrez Bergen was continuing the story of Mitzi (the woman who will soon become Bullet Gal), much less that he had completed issue #2. I'm not sure where Andrez finds the hours in the day, but my hat's off to him. He also sent along a file with sample art from the release, which I'll be including throughout the review. Well, on to the details. Issue # 2 is 28 pages of noir goodness, published by IF? Commix. The physical version will be available for $5 in Australia. The digital version will be available on their website at the end of August 2014, for just $1! You get quite the bonus with the digital release, as it includes the 20 page BULLET GAL #1, along with previews from a number of other upcoming releases by Andrez and friends. You really can't go wrong with extra goodies, can you? Right, I didn't think so. Well here's a brief synopsis for everyone...

Mitzi and the mysterious Lee. Interior art by Andrez.

Since the events of the last issue (here's my review of issue #1, if you haven't read it), Mitzi has hooked up with a mysterious man named Lee. He has offered to show Mitzi the way of doing things in Heropa, and more or less train her to be a Cape (also known as a Bop, essentially a superhero). Mitzi isn't quite sure if she can trust him, but she takes him up on his offer, at least for now. At the moment, she is engaged in a training exercise of his devising, which she is thoroughly enjoying. When he calls an abrupt halt to the mission, Mitzi walks out in disgust. Meanwhile, across town, Heropa's crime lords are having an urgent meeting. The topic? How to stop a certain vigilante who has been thinning their ranks, of late. Plus, we're introduced to an utterly psychotic young lady, who has a number of interesting ideas on how to solve the vigilante problem. It looks like there's a whole lot of trouble headed Mitzi's way...

This one is pure TROUBLE. Interior art by Andrez.

As I said, this was a complete surprise to me. It also knocked my socks off! I was really hoping for more BULLET GAL, but there was no way I expected anything from Andrez this soon (In a related note, he's already hard at work on issue #3! Ssshhh... don't tell anyone!). As time consuming as his art technique is, Andrez just keeps improving as he goes along. I'm really wowed with the visuals contained in this release, they are quite beautifully rendered. The lush black and white renderings perfectly fit the noir surroundings, and have a certain hallucinogenic quality to them (reference the art to your left fro an example). The writing style is taut, perfectly describing the world Mitzi is living in. Namely, one where she doesn't know who to trust, where everyone seems to be out to get her, possibly, even the man who's training her (she should be used to this, but that's an entirely different story... Mum's the word). I love the way both issues have ended with a cliffhanger, which reminds me of the old movie serials (of which I'm a huge fan). All in all, I was definitely impressed by the second issue of BULLET GAL. Andrez is building on the solid start he established in issue #1, and has upped the ante with issue #2. Highly recommended reading! Do yourself a favor, and take a look at this unique new comic series. You'll have a blast...

HEROPA. Interior art by Andrez.

Here's the IF? Commix website. Here's Andrez's blog. Swing by and take a look around. As always, happy reading! I've got to go, have two more reviews I'm working on, and also reading a great book. Have a great one, all!

Some bad men, and an even badder lady. Interior art by Andrez.

Here's my review of BULLET GAL #1 from Andrez Bergen and IF? Commix. Very nice!!!

cover art by Andrez Bergen

The talented Andrez Bergen is having a busy summer. A new novel out in July (the wonderful DEPTH CHARGING ICE PLANET GOTH), followed by his graphic adaptation of Tobacco-Stained Mountain Goat which is being released in August. Not to mention new releases from IF? Commix looming on the horizon. So how does the man choose to celebrate? By releasing a twelve page mini-comic (at cost) to thank his fans, natch! Bullet Gal #1 will be printed up in the second week of August, and will be priced at one measly buck! Hard to beat that right? But wait, there's more (sorry, I've always wanted to use that line)! From September 1st and on, the digital version will be FREE via the IF? Commix website! How cool is that? Now that I've got the what, when, and where out of the way, let me relate my thoughts about the comic...




Bullet Gal #1 is a prequel to some of Andrez's other works (take a look at Who is Killing the Great Capes of Heropa?, Tales to Admonish, and the aforementioned DEPTH CHARGING ICE PLANET GOTH for related reading), and relates an adventure of the woman who will soon come to be known as Bullet Gal. Set in Heropa (a city existing in cyberspace) and told in a distinct noir style, this short entry is simply amazing! The writing is razor sharp, the art stark, and strikingly beautiful. The art and writing style fit together perfectly, and it's a total joy to see the story executed in such excellent style. I love the fact that Andrez has filled in more of Bullet Gal's history (and there's more on the way), which I had really hoped for after being introduced to the character. All in all, a lot of goodness, residing within a small package. If you love well told noir, you'll appreciate the first issue of Bullet Gal. Recommended reading, and here's hoping for more adventures from our heroine! On that note, I'll get back to perusing my library. Have a great one, and have fun reading!


If you missed it above here's the link to the IF? Commix home page. And here's a link to Andrez's blog, where you can keep up with the many projects he has going on. Why don't you swing by and take a look? I'll leave you with a bit of interior art from Bullet Gal...

interior art by Andrez Bergen

Review of The Condimental Op, by Andrez Bergen.

art courtesy of Cocoa Bergen

I know, I know! I just published a review of a wonderful project by Andrez, and here we have another entry by him. The explanation for this is that I had been reading both works concurrently, and finished both of them about a week apart from one another. The reviews would have been more spaced out, except for one thing; I happened to be working twelve hour shifts on a fourteen day run at my job. When I would get off, I usually had trouble reading, much less writing out a critical review that would do justice to the source material. So I decided to wait until I was off, and had a bit more brain power, before I gave it a go. Both reviews were in the pipe for a bit, and I fired them off, one after another. With that out of the way, let's get to the review...








I'll start out by saying that The Condimental Op, by Andrez Bergen is simply sprawling in nature. Included within are both fiction and non-fiction; short stories and graphic adaptations, plus alternate and reworked takes on some past fiction. It's got some great art, definitely including the cover, which is displayed above left. It comes to us courtesy of Andrez's daughter Cocoa, which shows that talent runs in the family. I'll be reviewing this in sections, and concentrating on my favorites, due to the large amount of material contained in this collection. So, on to part one.



The first section of the collection mainly contains stand alone short stories. The forewords by Andrez are worth the price of admission alone. That said, I'd recommend reading the stories first, and then coming back to the forewords. That way you get to have a fresh view of the stories. It's up to you, though. 'Sugar and Spice' tells the tale of two teenage delinquents planning a heist... of a comic book store. Needless to say, all does not go as planned. It may just be me, but I find the proceedings darkly humorous. I can't get the thought of the heist from Reservoir Dogs, via the comic shop from The Simpsons out of my head. Ha! I apologize. Very good story. Moving on, 'Victor Victoria' is my favorite from this section. An action-packed tale of aerial combat in WWI, it reminds me of the Biggles series by W.E. Johns. With a certain sly humor throughout, it definitely entertains. Plus, the ending is hilarious. Rounding out my trio of favorite tales, we have 'A Woman of Sense'. A tale of a female mercenary hired by a petty lord to be his bodyguard... at least that's what he says. Things go a bit off track from the jump, and a bit of carnage ensues. Once again, it's the humor that really wins me over. Apparently Andrez had a bit of trouble getting this published, which really boggles my mind. Very nice. While these are my three favorites, all the stories in this section are worth reading, and highly recommended.



The next section contains four stories dealing with the adventures of Roy Scherer and Suzie Miller. Partners in the detective agency of Scherer and Miller, Investigators of the Paranormal and Supermundane, they certainly live up to the agency's title. Through the course of the stories they deal with a zombie (but not really a zombie), a vampire, and a possessed typewriter. The fourth story is a bit longer, and doesn't feature Suzie. It's a prequel, with a much younger and less acerbic Roy, stumbling onto what will be his first case. While a bit hard to pick favorites, if pushed, I'll have to go with 'Lazarus Slept' and 'Revert to Type'. In 'Lazarus' our heroes investigate a possible case of a zombie running amok. Although things aren't quite kosher with the whole zombie identification, Roy's rather blunt approach handles business rather nicely. Things are a bit more complicated with 'Revert to Type'. Called on by a client who claims to have a possessed typewriter, Roy quickly classes the guy as a total nutter. Proved wrong, Roy's usual straight-ahead way of operating blows up in his face. This is really Suzie's moment to shine, and is a total joy. Really great. Half the fun in these tales are watching Roy go about business; the other half is Suzie annoying the hell out of him. Has a whole lot of "laugh out loud" moments throughout the various stories. I'm a big fan of the characters, and hopefully we will see more of them in the future. (Hint, hint Andrez.)




The third section revisits the dystopian world of Tobacco-Stained Mountain Goat. Sci-fi filtered through the darkest noir, I'd highly recommend picking it up. The duo of Floyd Maquina and Laurel Canyon are feautured in the first two stories, 'Come Out Swinging' and 'Dread Fellow Churls'. Both stories revolve around a rescue attempt, although the latter is pulled off a bit more smoothly. 'Neck-Tied' features a fellow Seeker (a combination of detective/tracker, Floyd being one as well) in a rather desperate situation. 'In-Dreamed' is a story of Floyd's supposedly dead wife, Veronica; she is apparently alive, after all. The ending is a nice twist. She also features (In my mind, at least. Andrez leaves it up to the reader.) in my favorite of two graphic adaptations included in this section, 'Waiting For Sod All'. As I really enjoyed TSMG, these continuations and off-shoots are greatly appreciated, including the ones not mentioned. All in all, gritty, dark, and shot through with a touch of gallow's humor. Really, what's not to like?




The final section, fittingly entitled 'Ransacking the Archive', brings together a variety of materiel, most of it non-fiction articles. Starting out with a number of prose selections written in 1989, it moves through critiques of food, film, music, and culture. Setting down an account of the weeks leading up to the birth of his daughter, Cocoa, is the most personal of these entries. This may or may-not be your cup of tea, but I found them fascinating. Very glad they were included, since I believe they give a bit of insight on the events that helped shape the author's works. Plus, I just like reading reviews. Ta, Andrez!




Well, there it is. Overall, an excellent collection, which I would highly recommend. Goes without saying that the forewords and acknowledgements are required reading, as well. Here's where you can pick up a copy. If you'd like to know a bit more about the author, pop over to Andrez's Blog. With that, I believe I'll get back to what I love most, reading. TTFN...

Review of the graphic anthology BLACK/WHITE, from Andrez Bergen and friends.

      Well, I recently finished the rather excellent graphic collection Black/White, offered up by writer Andrez Bergen, and a host of talented artists namely: Matt Kyme (cover); Drezz Rodriguez (art for 'Zig Zag'); Marcos Vergara ('Get Busy'); Michael Grills ('Linoleum Actress'); Nathan St. John ('The Writing on the Wall'); Andrez himself ('Waiting For Sod All.'); and last, but not least, Andrew Chiu ('Come Out Swinging'). If you want to learn a little more about the individual artists, click here.

Drezz Rodriguez

First off, we have 'Zig Zag'. A story that is steeped in noir, to the point of drowning. The story, along with Drezz Rodriguez's excellent art, is so dark that only hints of light manage to break through. The story opens with a man whistling a Cole Porter tune while cleaning a certain Webley-Fosbery revolver (an item that makes appearances in many of Andrez's works). Despite having a visitor that is heard commenting in the background, the nameless man concentrates on the task at hand. Eventually finishing his task, he earns a couple of compliments from his visitor. Loads the gun, passes it into waiting hands, and then the last of the light goes out of the story. With a quick ending that you won't see coming, this is a good story to start off the collection. Drezz's stark black and white etchings perfectly compliment the mood of the piece. Impressive, to say the least...

Marcos Vergara

Next up we have 'Get Busy', a look at the local night life through the eyes of a jaded bartender. A quick hit where we witness a few players from Andrez's novels sweep through the landscape, and once again, are confronted with a rather familiar revolver... This seems to function quite like an intermezzo, in my opinion. It ties together a number of pieces from other works, while the party goes on in the background, the bit players oblivious. Marcos Vergara's art is unique, and definitely fits the story. It reminds me a bit of some of the underground comic greats from the 60's and 70's that I love. Very nice...

Michael Grills

Third story up is 'Linoleum Actress', and what an actress she is, indeed... Definitely playing up her turn on the stage, you may want to look up "captive audience" for this one. With excellent art, from Michael Grills, Andrez's quick hit shows how low some will sink in this dystopian future... What's your poison, and do you love real butter? If you're confused, buy the book, 'cause I'm saying no more, except that your money will be well spent. Trust me!

Nathan St. John

With 'The Writing on the Wall', we have a brief encounter between a Seeker and two hapless souls. After a bit of sage advice offered to the two, and a quick critique of their attempt at a political statement, she sends them on their way. Lucky for them, for there are a few unsavory blokes headed the Seeker's way... I have a feeling the Seeker will be fine, though. The art is very unique, and quite striking.

Andrez Bergen

'Waiting For Sod All', is probably my favorite of the collection. With story and art courtesy of Andrez, it is definitely a poignant tale. A tale of the gradual erosion of hope, it is masterfully executed, especially in so brief a format. Absolutely striking. Although it may seem to be the end of a story, in my opinion, it is actually a beginning. For more info, track down Tobbaco-Stained Mountain Goat.

Andrew Chiu

The collection is rounded out by 'Come Out Swinging'. An action filled finale, it's a nifty tale of a rescue that gets a bit complicated.The art by Andrew Chiu hits all the right notes, perfectly fitting this hard-boiled short. A great ending to a very entertaining collection.















To sum up, this is a great collection of short fiction, perfectly complimented by some wonderful graphics. The stories are tied into Andrez's fictional world as a whole; this selection can be read on it's own, but also functions as a great companion piece to previous releases. Highly recommended, so why don't you run out a pick up a copy? Stop by Black/White and If? Commix for more info. 

  

Review of "Tales to Admonish" issue #2! Some very good stuff...

I'd like to start out by saying that I believe, unintentionally, to have put my foot in my mouth. I had mused one day about different author's works that I would like to see recreated in a graphic format on my Facebook page. I had recently finished reading "Who is Killing the Great Capes of Heropa", and included it's author, Andrez Bergen on that list. Mind you, Andrez had sent me a PDF version of "Tales to Admonish" #2 to take a look at before said musing. I had downloaded it and taken a quick look, but hadn't gotten past the title page, with which I was impressed. I came back to it earlier this week, and read through it. Back to the foot in mouth incident; Andrew already has a talented artist illustrating his characters in Matt Kyme! Mea culpa Matt! Your artistry perfectly fits the stories that Andrez brings to the table. Let's get to the review, now that I've got that off my chest. We start out with 'Adam's Ribs' a tale featuring Andrez's character's Roy and Suzie, involved in a bit of vampire hunting. Roy's the hard-bitten professional type, with a flair for sarcastic wit; Suzie's his vivacious assistant, who seems to have a bit of a problem with the proceedings, which I'll get to in a sec. The tale starts at what you would think would be the end; Roy musing about previous vampire kills to himself, about to stake another fanged bozo. As he brings the hammer down to drive in the stake... OBJECTION! On Suzie's part, that is. Apparently, she wants to be dead certain that the corpse in question is actually what he appears to be. Her distraction, causing Roy to misplace his strike, does just that... Roy's musings throughout the ensuing incident are pure gold, along with Suzie's comebacks. A nice piece of noir, mixed with the supernatural. Matt's illustrations are stark black and white, with color inserted at times, which really draws the eye. His work illustrating the trio's expressions (Roy, Suzie, fang-boy) are highlights. Very nice! Had me laughing from the get-go! Moving on, we have 'All Fur Coat, No Knickers', in which Bullet Girl manages to not only foil a robbery, but also find something nice to wear for her date! Pure old-school superhero goodness, in my opinion. If you want more (much, much more) background on Bullet Girl, check out the aforementioned "Who is Killing the Great Capes of Heropa." The opening illustration by Matt definitely reminds me, in many ways, of a image of Sand Saref by the master Will Eisner. Once again, stark black and white, with accents of color. The last of the tales is 'Salvation Nation' set in an a post WWIII setting, where almost everyone is dead. Two survivors in radiation suits search a deserted government base for the 'Salvation Device', their oxygen supply running low, in a desperate bid for survival. Their search is rewarded, but the results are not quite as they hoped for. The last couple of frames had me crying "No you fools!", but that's just me. Definitely evokes the feel of EC and Warren titles from yesteryear, crossed with Stan Lee and Jack Kirby (one of the characters even makes a Kirby reference in the story). Matt's art is once again, black and white, with flashes of color interspersed, but I believe this is a real highlight! Matt really knocks it out of the park on this one... By the way, everything I just referenced, for those of you who haven't experienced the publishers/creators mentioned, means that you should run out and get this title... It's that good! Summing up, I'd rather be reading this than a large majority of more "mainstream" comics that are on the market. Andrez and Matt are both at the top of their game, and you all should take a look. Highly recommended, and if I could give it more than 5 stars on the ranking I would. As it stands, 5 out of 5.

Matt Kyme's opening panels for 'Adam's Rib', a Roy and Suzie adventure.


Here's a couple of links to further your investigations...

IF? COMMIX

Matt Kyme's other project... That Bulletproof Kid!

Thoughts on Andrez Bergen's "Who is Killing the Great Capes of Heropa?"

Here's some thoughts on a really cool novel I just finished. I'd like to start out by saying that "Who is Killing the Great Capes of Heropa?" and it's author, Andrez Bergen, were not even remotely on my radar when I picked up this book. It was really by pure chance that I ended up coming across the novel, and purchasing it. I was looking through my recommendations page on Amazon, and the striking cover design caught my eye. I went ahead and took a look at the synopsis and some of the reviews. The words dystopian, noir, and sci-fi stood out; and then I saw that it also was about superheroes. Now I love these genres, and was instantly intrigued; but I wasn't really sure what to expect, and if this would be a quality read. I purchased it anyway, and started reading about a week later. It turns out that this chance pick was a great one, as this is easily one of the most entertaining takes on the genres mentioned that I have read in recent memory. The novel adds up to much more than the sum of it's parts, and is a cracking good adventure/mystery, to boot. Although the beginning of the story can be a bit confusing, there is a perfectly simple reason for this; the protagonist has been thrust into a new environment, and being immersed in his narrative, we share in his confusion and his efforts to learn about Heropa as quickly as possible. All I can say is keep reading, because you definitely do not want to miss the rollercoaster ride that is coming! After the opening, we are slowly introduced to the players, and learn of the mystery that is happening within Heropa. Superheroes are dying, and this not at all as it should be. As the story moves inexorably along, we find that there are many things about Heropa that are not as they seem. The narrative flows seamlessly from revelation to revelation, and you will find that when you finish the story, it is not at all what you expected when you began. Experiencing this evolution is quite wonderful. Although there are many different themes explored within these pages, I'll say that the growth of the protagonist, Jack, makes for a very cool coming of age story. As I said it is just one of many themes explored, but watching Jack slowly learn to be a true hero is just pure fun. I could spend all day breaking down the different elements that exist within the story, and why I personally enjoy them; however, I don't want to spoil the fun for any new readers, so I'll cut this short. By the way, I would also recommend that you read through the glossary, acknowledgements, and afterword, once you are done reading the novel. They all contain some interesting thoughts and recommendations. All in all, this was a wonderful reading experience, and I highly recommend it.